At 03:05 AM 12/30/2007, ard p850ug1.demon.co.uk wrote:
>I feel there are 2 subtly-different forms of ASCII-Art.
The first is
>essantally 2-colour, and uses characters of the right
shape to form the
>image. The second uses characters of different average
densitys to form a
>sort-of greyscale image.
There were many approaches, of course. There were
typewriter
artists in the same style, years before teletypes. Many old
RTTY
images were built by hand. Certainly many RTTY images were
ported to computers and are still passed around today. If
you
have kids on MySpace, you'll see that ASCII art is still
very
popular when posted as comments on your friend's web pages.
Later computer-generated pictures were certainly automated
through
several sorts of scanning processes and subsequent
assignment of
grey to chars. For example, with any early computer that
could
drive a teletype and digitize a crude value from a
phototransistor
mounted on the print head, you can feed a photograph through
the print
roller, "print" nothing, read the values and
"scan" the image.
The choice of chars could include schemes for overstrike -
sending
a line with a carriage return but without the line-feed, and
overprinting
to make new one-char-space greys.
I talk about this on my page http://www.threedee.
com/jcm/aaa/ .
A long time ago I wrote a filter to translate overstrike
ASCII
files into Adobe Illustrator files. This gave a path to
printer-independent overstrike, choice of fonts, and
direct rasterization of the image via PhotoShop, which can
read the AI files.
Fully automated conversion of old ASCII art to bitmaps can
be
tricky. There are other feed-control characters explicit
or
implicit in some of the original files, such as form feed
and vertical tab. Some ASCII art came with its own
printing
program to interpret the image data.
They come in all rotations. As you can see in the Einstein
example on my page, the chars used to print Albert are
"upside down".
Some images are portrait, others landscape. Some are
assembled of
several strips or even just partial strips, taped together.
More
subtle infidelities happen when the font's glyphs don't
exactly
match the original.
Then there's the huge realm of ANSI art from the late 80s /
early 90s,
using the VT-100 / PC-ish conventions for positioning the
cursor
on the 80x24 screen, erasing, refreshing, or animating,
often
passed around on BBSes.
- John
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