S. Massy wrote:
> Hello,
>
> While the concept of "derivative work" seems
pretty clear to me when
> applied to media such as audio, video, imaging, or
source code, I find
> it difficult to comprehend it when attempting to apply
it to the idea
> of written work (text), which is my main medium. Could
any body
> attempt to clarify the meaning of "derivative
work" in such a context?
> For instance, does the license cover the only text
itself (the
> encoding, so to speak), or does it cover the ideas it
represents as
> well (e.g if someone wrote a story based on a story of
mine licensed
> under by-sa, would he be bound by the terms of the
license?) Would
> some minor modification of the language, such as mere
changes in
> punctuation and wording, suffice for one to claim the
resulting
> version as "derivative work"? I like and
believe in the idea of free
> culture and the work the CC licenses are doing, and I
would very much
> like to be able to support it as much as I can, but I
have thus far
> felt obliged to limit myself to a by-nc-nd license when
licensing
> text, as I am none to sure what allowing derivation
would entail.
>
> Any light you might throw on the matter will be greatly
appreciated,
> S.M.
Under U.S. copyright law, a "derivative work" is
any work sufficiently
similar to the original that it would constitute an
infringing copy
(that is, would ordinarily require the permission of the
original
author) but which also contains sufficient new originality
to make the
changes copyrightable.
Something based only on the ideas in the original would not
be a
derivative work, since it wouldn't copy the copyrightable
aspects of the
original (ideas are not copyrightable; only their particular
expression). It would also would not require the CC license
at all; one
can always take the ideas without permission.
Something with changes in punctuation in wording might be a
derivative
work. Something which had been reformatted from 80 columns
to 70
probably wouldn't be one. Both are, on their face,
infringing, and
would require the author's permission. The difference is
that changes
in wording might be original, but that a change in column
layout almost
certainly isn't.
The canonical example of a derivative work is a translation
into a new
language; that involves both almost all of the protected
expression in
the original, along with a significant amount of new
creativity.
James
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