On Sunday 13 May 2007 03:55 am, Eric Garner wrote:
> --- Jonathon Blake <jonathon.blake gmail.com> wrote:
> > Have you taken a look at the license that
"media
> > conglomerates" are
> > selecting, when choosing a CC license?
>
> So what?
>
> > Provide a legal definition for "non
commercial".
> >
> > I suspect that the first dozen or so cases (in
the
> > US at least) will
> > revolve around:
> > * What is legally meant by
"non-commercial";
> > * What the licensor understands by
"non-commercial";
> > * What the licensee understands by
"non-commercial";
> > * How much weight to give to the Creative Commons
> > Guidelines on what
> > the license means;
>
> Please choose a context: A-SoundExchange demands
> royalties because your CC-NC music webstream plays
> commercials (we've already covered this) B-Alice
> decides to split hairs to the nth degree over the
> CC-NC license she placed on her song (the judge will
> have little patience for this because, once again,
> Alice is the one who chose a copyleft license after
> all).
Please, CC-NC is not a copyleft license in any way, shape or
form.
("Copyleft, all rights reversed !" is a saying
some at least may remember form
earlier days.)
My take has always been that to be a copyleft license, a
license must be Free
and have SA terms. Others hold that SA terms only are needed
and non-Free
licenses can be copyleft as well. I don't buy that, but
CC-NC is neither.
>
snip
But, even spme people who use the GPL dual license as a
business model. The
non-copyleft license terms that can be negotiated for by
those unwilling to
use the code in a copyleft way are a revenue stream reserved
to the copyright
holder even when putting works under a copyleft license.
all the best,
drew
--
(da idea man)
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