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Thread: Re: Lawsuit over Virgin Mobile's and Ethical Use




Re: Lawsuit over Virgin Mobile's and Ethical Use
user name
2007-10-01 03:02:58
On 1 Oct 2007, at 03:59, Terry Hancock wrote:

>
> But if the clause is included in the CC license, then
you enforce this
> oddity of European law onto Americans as well. Normally
we (in the US)
> do not recognize the idea of "moral rights"
in a work (which is  
> part of
> our general theory that copyright is not a 'natural'
right, but  
> rather a
> state-granted monopoly on an otherwise free activity --
copying
> information).
>
> It doesn't seem to me that reflecting such
jurisdiction-specific
> non-copyright laws is that helpful.

The US does cover many of the moral rights, just not as
'moral  
rights'. Congress made a number of changes to, at least on
paper,  
make the US meet the obligations of Article 6bis of Berne
(moral  
rights) when the United States joined Berne on March 1,
1989.

Also should mention the Visual Artist Rights Act (VARA)
gives certain  
moral right to visual artists in the United States.

The incentive theory of copyright is not limited to the
United States  
but in fact goes back to the Statute of Anne in the UK. As I
 
mentioned earlier in this discussion, moral rights
(generally) are  
not very strong in Commonwealth jurisdictions and former UK
colonies  
(such as the US) because they all generally take  the same
incentive- 
based approach.

The other approach is an 'author's rights' approach, which
leads to  
strong moral rights because (to simplify) it is based on the
idea of  
ownership of what you create because it is a part of you.
That's why  
in author's rights systems (Germany, France, et al) you have
the idea  
of 'author's rights' and 'neighbouring rights'. Neighbouring
rights  
are copyright over areas where there is no creative
expression, such  
as broadcast rights, or a producers right to a film (though
I have  
argued otherwise as to film producers). These are the areas
of so- 
called entrepreneurial copyright.

And to return to some other points made in this discussion,
there are  
two primary moral rights that we are dealing with:

1 - the right to be identified as the author
2 - the right to object to derogatory treatment

The first is an integral part of the CC licence -- it is the
BY  
element. The second is the right that we have been
discussing.

You could try to waive the right to object to derogatory
treatment  
whenever possible. This is the approach in the ODCDBL
http://www.opencontentlawyer.com/open-data/open
-database-licence/

You do have to realise though that there are many
jurisdictions that  
these rights cannot be waived, and that for more creative
works (or  
at least not databases) that authors might very well want
and expect  
these rights to be present. So the approach has been to keep
them.  
I'm not a big fan or a defender of the moral right to object
to  
derogatory treatment, but this is really the most sensible
approach.   
You must also keep in mind that these rights don't often go
to court  
even in the jurisdictions that hold them sacred, as for an
artist to  
do so would be in some ways commercial suicide.

~Jordan

____
Mr. Jordan S Hatcher, JD, LLM

jordan at opencontentlawyer dot com
OC Blog: http://opencontentlawyer
.com
IP/IT Blog: http://twitchgamer.net

Open Data Commons
http://ww
w.opencontentlawyer.com/open-data/

Usage of Creative Commons by cultural heritage
organisations
h
ttp://www.eduserv.org.uk/foundation/studies/cc2007


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Re: Lawsuit over Virgin Mobile's and Ethical Use
country flaguser name
United States
2007-10-02 11:34:46
Jordan S Hatcher wrote:
> And to return to some other points made in this
discussion, there are  
> two primary moral rights that we are dealing with:
> 
> 1 - the right to be identified as the author
> 2 - the right to object to derogatory treatment
> 
> The first is an integral part of the CC licence -- it
is the BY  
> element. The second is the right that we have been
discussing.

Exactly. I have no objection to an attribution requirement
(neglecting
for the moment the issues that drew brought up recently
about the
methods required).

The 2nd point is extremely vague and overly broad: what
exactly *is*
"derogatory treatment". In the broadest sense it
could simply mean "to
be disagreed with", which would obviously be very
objectionable.

> You do have to realise though that there are many
jurisdictions that  
> these rights cannot be waived, and that for more
creative works (or  
> at least not databases) that authors might very well
want and expect  
> these rights to be present.

Yes, and these rights will exist in those jurisdictions no
matter what
I or CC think of them. My point is moot for people who live
in such
jurisdictions.

However, lots of people *don't* -- for example, the 300
million people
in the USA. Even if two jurisdictions *are* "moral
rights"
distributions, they may differ in detail about which rights
are
retained and which aren't (or in how "derogatory
treatment" is defined).

> So the approach has been to keep them.

So here's the deal. The license says the author retains
"moral rights".

Within moral rights jurisdictions, this would be true with
or without
the license statement. So the statement has no legal effect.
So why is
it there?

What about in non-moral-rights jurisdictions?

HERE'S THE POINT>>>

Doesn't the fact that the license says that the author
retains "moral
rights" mean that whatever rights they would retain by
*statute* in
moral rights jurisdictions are kept by *license* in
non-moral-rights
jurisdictions (at least to the extent permitted by law)?

What happens when I, as a US licensee, create a derivative
of a work
released by a Spanish licensor? Say I do something which is
perfectly
legal under US law, but which the licensor objects to? If
that something
is covered by Spanish moral rights law *only*, it won't
affect me. If it
is something that I am permitted by statute in the US to do,
it likewise
won't affect me (parody protection).

But what if it is something that in the US can be withheld
in a license,
but would not be by statute? The author could argue that his
CC license
binds me to obey Spanish moral rights statutes here in the
US, because
it is *also* covered by the CC license. (GOTCHA!!!)

IOW, the CC license would be invoking *Spanish* moral rights
law by
reference to define a license term applying under *US*
jurisdiction.

IMHO, that should never be allowed to happen.

So I'm asking -- *is* that what happens with the 3.0
wording? Or is
there some trick that I'm missing?

> I'm not a big fan or a defender of the moral right to
object to  
> derogatory treatment, but this is really the most
sensible approach.   

IMHO, the *sensible* course is to *inform*, not to
*enforce*.

In programming terms, it's the difference between
"==" and "=": are you
*saying* it's so, or *making* it so?

ISTM that the goal of *informing* licensees of the effect of
a license
is distinct from the task of *defining* that license. This
appears to
be even more important when the effect depends extensively
on the
statutory environment (as it does in this case).

As I understand it, that informational role is supposed to
be played
by the *deed*, not the *legal code* of the CC licenses.

Or maybe there needs to be a third text -- an informational
*commentary*
on the CC license which makes it clear that it intends to
*describe*,
not *define* the effect of the license. This would also be a
great place
to talk about photo releases, the effect of SA on
"synchronization" or
"association" of works with other works, and other
things that surprise
many licensors or licensees.

I hope this clarifies the point.

This isn't about attribution, nor is it about excessive
wording, nor am
I arguing that informing licensees about statutory effects
is wrong, nor
am I making nationalist claims about the superiority of US
copyright
(actually I have yet to meet a modern copyright regime I
genuinely
like!). It's about whether the license wording is EXTENDING
the
jurisdiction of such laws, by virtue of using them to define
its terms.

This is a problem precisely because these are international
licenses.

It should also be noted that while the moral rights issue
may be the
biggest problem of such a practice, there are others -- such
as the
photo-release issue, or differing jurisdictional definitions
of how
"commercial use" should be determined, or about
the legal definitions
of "technological protection measures" or
"digital rights management".

Cheers,
Terry

-- 
Terry Hancock (hancockAnansiSpaceworks.com)
Anansi Spaceworks http://www.AnansiSpac
eworks.com

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